The book may be ordered by visiting www.buybooksontheweb.com or calling (877) BUY BOOK. The cost of the paperback is $13.95.
Paula Hirschoff
State
of Decay: An Oubangui Chronicle recounts a rapid-fire succession
of events leading to the overthrow of a corrupt dictator in the
Central African country of "Oubangui." A battalion of
heroes and villains charge through the many plot twists crammed into
its scant 156 pages.
The
premise of this thriller is that democracy can emerge, even in a
nation where the citizens are beaten down by corruption and cruelty.
The appropriate conditions must be present, of course: a charismatic
leader who surfaces at the right moment, a modicum of organized
support, a wave of civil discontent, and some undercover political
maneuvering by the Western powers. It’s a hopeful theme, given the
critical state of affairs in many African states, poised between
dependencies of the Cold War era and a future in which multi-party
democracy might hold sway.
The
author, Robert Gribbin, who served as ambassador to Rwanda during his
Foreign Service career in Africa, has a reality-based understanding
of the details of Central African politics and operations, such as
diamond smuggling and ivory poaching. He offers tastes of these and
other inside stories of Africa, including traditional religious
beliefs and life with a group of Pygmies.
The
story opens with a prison scene featuring the hero, Jean Mbaito, a
pilot with Air Oubangui. The pilot has been imprisoned in miserable
conditions since being falsely implicated in his cousin’s coup
attempt at the airport more than a year ago. A flashback to his trial
provides a glimpse of the evil dictator.
The
Lion of Oubangui, dictator Bassia, bears a strong resemblance to
Emperor Jean-Bedel Bokassa of the Central African Republic,
overthrown in 1979. Bokassa, like Bassia, was known for such
tendencies as favoring an imperial presidency, bludgeoning school
children to death, and encouraging rumors of cannibalism. Both the
real and the fictitious dictators were propped up for many years by
the former colonial power, France.
The
scene soon shifts to a safari camp where the European hunting guide,
Philippe, and his tracker, Ndomazi, are catering to a wealthy Spanish
client, who has lost his taste for the kill. When Jill, an attractive
young elephant fanatic, shows up to establish an elephant monitoring
system for a British conservation society, the Spaniard sides with
Jill. Because the client is paying the bills, Philippe and his crew
agree to hunt elephant poachers, rather than big game, a decision
that catapults them into the thick of the overthrow action.
The
scenes involving these characters are interspersed with political
speculation featuring the U.S. ambassador and his political officer,
stationed in the capital of Landja. The chapters set at the embassy
provide a setting for analysis of topics ranging from the dictator’s
background and relationship with the former colonial power to the
geography of Oubangui.
The
next stop on the tour is a diamond mine where a cruel Afrikaner, who
manages the concession for a Johannesburg mining company, is busy
getting rich on the side through gun running and ivory poaching.
The
dictator’s repressive crackdown on student demonstrators provides
an opportunity for the pilot to escape from prison. During a brief
sojourn with a lovely African woman on her isolated farm, the pilot
has an epiphany about saving his country. During breaks from helping
his hostess/lover plant crop seeds, he manages, metaphorically, to
plant seeds that mature – very swiftly as is the trend in this
thriller – into a full-fledged democratic movement to overthrow the
dictator.
Although
the characters are mostly caricatures, at least the author has
avoided the common tendency of Western films and fiction set in
Africa to feature whites as stars and blacks as bit players. In State
of Decay, the top-billed villain and hero, as well as the hero’s
lover, are all African. The white hero, heroine, and villains play
supporting roles. Moreover, Gribbin evenhandedly puts the heroines,
both black and white, through the same type of humiliation in the
closing chapters.
Don’t
expect any thorough analysis of politics or culture from Gribbin’s
novelette. Nor is there any space for serious development of plot or
characterization. However, if you enjoy fast-paced thrillers and
hunger for fiction set in Africa by someone who knows the continent
and expresses hope about the potential for democracy there, pack
State ofDecay in your bag for an afternoon of reading
on the beach this summer.